A simple demonstration on the first 8 bars of the jazz standard "Out of Nowhere". ![]() Here are some resources on my website to better understand Barry Harris Harmonic Method for guitar : The point I was trying to make in the book review is : many jazz guitarists/pianists simply comp "by shape" without exploring the full harmonic potential of tunes and progressions. I understand your concerns and I agree with you : II-V (and their resolutions) are an essential part of jazz harmony. View my review of the Barry Harris Harmonic Method for Guitar here. ![]() So, I'm interested in this revolutionary new way ( Barry Harris Harmonic Method for guitar, see below) of thinking for guitarists but I would like a little more info before I buy this book and stop pursuing mountains of other jazz methods available. I don't even know what questions to ask but I have been studying jazz a while now and I never heard anyone say 2-5 was obsolete.Īs a matter of fact almost everyone agrees you simply can't play jazz without tons of 2-5's with or without resolutions - maybe just lots of 2-5's strung together. Barry Harris Harmony and Harmonic Method for Guitar (Alan Kingstone)
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